movie info: http://www.imdb.com/title/tt0468569/
Cinema: Mathes (Munich)
Trailer:
criticism
that a villain can be very disturbing, even if it looks stupid, had Javier Bardem in "No Country for Old Men" (fd 38 601 proved). Heath Ledger's performance as The Joker, who has won through his death in morbid fascination, recalls this scene, even if Ledger's leisurely Over Acting little in common with Bardems rather cool game. Again, it is the complete irrationality of the figure, which accounts for the terror. With drooping shoulders, smeared clown makeup and the over-Tick, smacking Mouth movement that looks as if a chameleon eat a fly, radiates from the diabolically-Ledger not appreciative Zirkusgrandezza which Jack Nicholson ("Batman", fd 27 905) once gave the role. Frail and dilapidated, his Joker, but increases the gap between damaged exterior and flawless, because meaningful free viciousness the disturbing thing about the figure, which works sometimes, as though a demon takes possession of a body, the vocal tract and muscles he only almost but not quite as a man dominated. Where the Joker comes from, how he became what he is and what he really wants is unclear. As the same game card, it is a kind of Space, makes it much besides the fact that he is well versed with explosives, his ability to exploit the weaknesses of others: their greed, their ruthlessness, their fear, anger or love. To this end, he gets in "The Dark Knight" ample opportunity, because of emotions that can be manipulated, is lacking in the movie is not that develops between dose and carefully choreographed action sequences to the great tragic opera in the center of Bruce Wayne aka Batman. Was he in "Batman Begins" (fd 37 111) found out from his childhood trauma to one (though divided) the identity, he stays here first rather uninteresting - a simple avenger in the holy anger among the smaller and bigger criminals of Gotham City goes. This Batman is not alone, for even the indefatigable policeman James Gordon and the charismatic new district attorney Harvey Dent has declared the fight against organized crime. Finally, when the hoarded money supplies of the mafia clans are threatened and transported Batman a new "business partners" in a daring action from Hong Kong back to Gotham, so he says in court against the syndicates to see the underworld bosses forced to accept the offer of the Joker, eliminate their opponents. Who plays his own game but to unmask Batman and Gotham into chaos efficiently to overthrow. Bruce Wayne, however, will support Harvey Dent, Gotham's "white knight" who proceeds with the means of law against the crime. Its success should make it one day useless to legitimized by any democratic body Batman to lead the field. However, a sting is in this partnership is Dent but the new friend of Bruce's beloved Rachel. In the course of these complications and mirrored by the principal and occupied contoured minor characters, the title character finally wins at that ambivalence born of depth that they already excelled in Nolan's first "Batman" movie. Their conflict is reminiscent of John Wayne's role in 'The Man, the Liberty Vallance shot "(FD 11 449): Bruce knows that law and order are on questionable feet when they are enforced by illegal methods - and feels but given the power of criminals forced as Batman in the law passed as Dark Savior for the sins to take on that need to be committed in order to "cleanse" Gotham: A "free hero" who sits on the rules of the social contract away and do what want to do the official city fathers, but not allowed . Wagner's "Ring" sounds, it's when the Joker him at one point indirectly compares with the figure of Siegfried, and he himself with his penchant for playing with fire and double games, a modern lodge, who manages to make the anarchist "World Brand" the hope for a project managed by the rule of law Gotham almost nothing. Something clearly seems good in this depraved (and not very comic way staged) world to have no chance. So pessimistic in his humanity no longer a mainstream film was more. This is because even the sinister to the Joker character in Batman and the whole "The Dark Knight": You burn across the screen as nightmares and dream of an exhausted democracy, from organized collective fears nothing, and the strong individual everything and hoped. "Big Brother Batman" is truly a very black knight. Felicitas Kleiner (filmdienst 17/2008)
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