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Touching Heart Art "To the New Year": How secretly legally / An angel softly / enters the earth ...

readers of my Ethics Post know that I adore Eduard Moerike, this poet of quiet piety, who knows his Vita, white, how this man fought over a long period of his life to his destination, caught between a mother and sister and day job.
How hard it must be him who really wanted to be only a poet, have arrived, and pastor to be need. There may be forgiven, that his community - albeit without knowing it - the to hear a sermon or other was that he had borrowed from a colleague.
that, especially in Baden-Wuerttemberg, some school called after him, is therefore probably due less to his sermons, and more on a poetic language that children and adults, even in the inner children of adults, as they have a may allow affected.
long time, Mörike many, even many Germanists as representative of a typical German philistine. Today it is recognized that his work thematically and artistically much more lunged.
repeatedly refers in his poems expressed his deep piety. Here we find heartfelt words in a simple form as it may be true faith, hope and home.
And it looks closely, this simple form is yet so skillfully.
As in this poem Morike

the New Year

How secretly legally

An angel softly

With rosy feet

The earth enters

so approach the morning.

joyful noise to him, her pious

A holy Welcome!

A holy welcome

heart with mirth!

seis In it started

The moons and suns

At reigns, ever spinning blue

moves of heaven.

You, Father, do you rate!

guide and defense!

Lord, into Thy hands

beginning and end,

Let it all out!

*

published in FreieWelt.net

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When snow lay hands gently on your eyes: Michael Ende's sense of the inner father.

Who knows the beginning of the story of Momo knows that it turns up one day in the ruins of the amphitheater outside the city. People learn from it and come and ask her, ask for their parents, but reap only a shrug and when they ask who had given their name because their answers Momo: I.
In the myths of heroes are often orphans, or at least semi-orphans. Even in the fairy tale it is so often the case that the father becomes ill, the mother dies ... at once the hero is alone.
so alone is Momo.
Many people have lost their father and mother, but in reality they are alone.
That's bad, worse than being an orphan. Because no father and mother to have if you think you have what can be impenetrable for a lifetime. Two cavities, which is believed to be father and mother.
Everyone must check whether he has father and mother.
If they are missing, something missing in us what allows us to grow up.
If they are missing, the line is disturbed to the ancestors. And how important are these lines, we know from Hellinger and his family constellations. Who in the back has his ancestors is strong, who has not run the risk of falling on his back. It makes a deep sense that the Old Testament again and again the number of ancestors are listed. Before, I thought it was a waste of paper. Now I know that each ancestor has a meaning. It is not about to have him in a superficial sense, know it is important that he is a rung on that ladder by which we stretch ourselves to heaven.
Moreover, the huge risk that a woman is a man seeks, is to be the father to them, and just as there is a risk that a man looks for a woman to be her mother.
Not that these marriages have to be unhappy, but real happiness is found only in a symmetrical relationship, not between a child and parent.
Momo finds the professor in a father:

She rushed up to him, he took her in his arms and hid her face in his chest. Again, put his hands gently on snow her eyes and it was dark and quiet and they felt safe.

This feeling of security and unconditional love, which everyone needs. has also in the biblical parable of the prodigal son experienced it on his return, this unconditional On-and acceptance.
Who does not know this feeling, it must be reworked. I think we can do that otherwise is a man always fall for father figures and is really into it without realizing it. And a woman seeking primarily the father in the man and not the equal partner.
carefully for a possible reworking, we must distinguish, if we only substitute figures have sought and found, or a real model, which we can say. This energy my soul
met otherwise remain forever a longing .
Just an addiction.
Otherwise, we find no father's house.
No mother's house.
And our children can give none.
also our inner children is not.

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A silver line between our hearts and our time. - What the professor and Momo know about time.

clairvoyant people see one vital thread that connects our earthly existence with our world as a silver cord. Of it in the Bible is the speech and in Greek mythology, there is the Moirae , Latin in the Fates and in the Germanic Norns - in each case there are three goddesses of fate - that special about this thread the life-or silver thread of destiny watch. Will he cut, dies the earthly existence of man.
As important is the knowledge of this context that three great Western cultures three important deities have dedicated to him. Do we not miss their reality: They do exist.
In Michael Ende Momo the professor has the three functions of the Fates, spinning the silver cord to watch over them and cut them to hold. No wonder he talks of a silver goal. He is not Lord of the fate that the same applies to the Fates, he is so to speak, only the executive organ of a higher power. Nevertheless, one must speak of him with appreciation to the right of a master. Hora comes from Latin and means hours . The professor out our Book of Hours.
leave But they see us, and should be the source of our silver cord, because it starts not just in the human body, but in the real sense in his heart, in Momo we said:

(...) as you have eyes to see light and ears to hear sounds, so you have a heart in order to perceive the time . And all the time is not perceived with the heart is, so lost as the colors of the rainbow to a blind man or the song of a bird for a pigeon. But there are unfortunately blind and deaf heart that perceive anything, although they suggest.

A heart that can not see, a heart that can not hear, is just a metabolic pump.
The shine of the thread is then very dull life, there are only a tired connection between the life of a man and his heart. Unfortunately, this can already apply to young people, especially since our school is not this knowledge, this Heart promotes knowledge.
Another thing we learn Momo : Can
Every hour of our life as a gift. This possibility is unfolding in front of the small Momo in a manner which is one of the most beautiful passages of the book by Michael Ende. As a beautiful flower it appears, this momentary hours associated with a sounding light that can be heard. But when Momo believes they have now taken the time of all people, they taught the professor:

What you see and have heard, was not the time for all people. It was only your own time. In every man there is this place where you were given. But to reach that target only those who can bear to me. And with ordinary eyes can not see him.

You have to have eyes Momo's, to the eyes of a child to be able to see this beauty over time. And another thing. It requires confidence in the professor
But this is a new post.

more Momo and the relationship between heart and time
inclusive of that beautiful passage of which was discussed above: here

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Christmas 2010: Help us find a place, guide us with your grace!




I pray you'll be our eyes, and watch us where we go

And help us to be wise in times when we do not know Let this be
our prayer, when we lose our way Lead us to
the place, guide us with your grace To a place
where we'll be safe

I pray we'll find your light, and hold it in our hearts
When stars go out each night,
remind us where you are
Let this be our prayer, when shadows fill our day
Help us find a place, guide us with your grace
Give us faith so we'll be safe

A world where pain and sorrow will be ended
And every heart that's broken will be mended
And we'll remember we are all God's children
Reaching out to touch you
Reaching to the sky

We ask that life be kind, and watch us from above
We hope each soul will find another soul to love Let this be
our prayer, just like every child

Who needs to find a place, guide us with your grace Give us faith
so we'll be safe
Needs to find a place, guide us with your grace Give us faith
so we'll be safe

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training workshop for educators and teachers

Art Teacher Education "Blue Lemon" for educators and teachers
The 20-hour training session by Clock Fri 16-20, Sat 10-18 Clock , Sun 10-18 Clock instead, max. 8 participants. In the 11 modules different priorities are set. The individual modules offer interesting insights into the topic of art education. Each participant will receive a certificate. The training takes place in a fully equipped 70 square meter studio in Alfeld held at Nuremberg. Cost: 450 € incl materials and manual
. Modules of training:

1. with all your senses playful exploration and discovery: theory and practice of sensory integration
2. Playing Arts! Pigments, flour, salt, sugar and egg - mix various substances and mediums arise we on large-format papers, community photos, and individual works, we are experimenting with acrylics / vegetable dyes
3. sculpting from clay, clay, wax and papier-mâché - idea generation, implementation, work meeting
4. The museum in the studio: children from masterpieces of art - an exciting adventure begins. We are on a virtual tour by the Munich discover art complex and high-ranking masterpieces. As we fascinate children for masterpieces?
5. theory and practice of children's drawings. How can we support children's drawings and understand?
6. strategies of art education today - Aesthetic research and mapping with new media
7. body work and work analysis. We practice the Feldenkrais method, the "wide view" of our own sculptures
   .
8. portrait, landscape and still life are concerned, as well as the inner Transform Images in dynamic worlds of color.
9. We paint on the team in community pictures, or very still and quiet in our own personal favorite pictures. A network analysis follows.
10. length re issues such as painting and collage techniques for music on paper give us an insight into the world of art, creativity and perception.
11. designing art projects to fund and successfully implement. Art project management for school and kindergarten.

training Playin 'Arts! - 1 day
5-hour training in art education Alfelder studio, 160 € including money and material certificate module 2,9,10




training at the Pedagogical Institute in Nuremberg
place in May 2011 at Pedagogical Institute in Nuremberg instead of a 6-hour art educational training, which is recognized as teacher training.

0407

lemon and strawberry green blue - An art education training data of the event

line	Diana Liberova
Speaker / s	Tanja Hoffmann
place	Pedagogical Institute, 80a Fürther road
first Date	Friday, 06/05/2011
time	10:00 clock - 16:00 clock
participants max.	20 seats
costs	25.00 EUR
Description	-scientific theory, short lectures on - Development of children's drawings - the concept of sensory integration - and the Munich project school of fantasy- impetus for my work in art education at school. Between the lectures, the participants will be self-create. We work with plastic materials and experiment on large format paper with color and form. Paint like music, literary texts or shapes with fragrant masses of color can awaken the senses. new and classic educational methods work together in the training: - Team work in small groups - creative act in its own work of art - presentation of works with a concluding discussion
additional information	material costs: 3.00 € to bring Please smock and 2 glasses of cucumber: 5,00 € handout.
dates	Friday, 05/06/2011 von 10:00 bis 16:00 clock

manual New for summer 2011

The two 50-page practice manual, are designed for educators who are interested in methods and strategies of art education. The books are to accompany the training as a didactic impulse designed for your work with the children. The 11 modules presented in more detail.
Playin'Arts an art educational handouts for school € 22

Playin'Arts 2 art educational handouts for the children's garden 22 €

of: Rudi Seitz, publishing children's drawings boy, 5.2

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vegetable dyes

natural dyes workshop with much room for artistic and creative experiments

When: Sat, 05/21/2011 up the Sun, the 22/05/2011

time is 10-17 clock

Location: Studio Project Alfeld

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plants contain natural dyes are water soluble. It caused by the extraction process workable for plant juices, vegetable and powder coatings. The preparation of the colors is a feast for the senses. The artificial Industrial paints are the plain end of a long age-old myth of color. The workshop participants will open their eyes to the colors of nature and let the myth back to life.

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Easter holiday program for kids from 7

Monday to Thursday in the first Easter week from 10 bis 12 clock

costs 5 €

without logging

open workshop program

kids have another opportunity in the studio to give wings to their imagination. Clay, wood, clay, papier-mache, colored dough, large papers, saws, hammers and Nails are to be found in the studio of the 1000 and things are just waiting to be transformed into smart objects.

find the holidays, the children and young people across age on joint projects together. The 2-hour workshops allow the children but also space, quietly to prepare individual work. The implementation of the smart ideas, I'll give you art education pulses.

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"There shines in pure bright / In the table bread and wine" - from the yearning for the Lord's Supper.

The following 12 lines that Trakl wrote in 1914, I have learned by heart years ago. There are only a few who touch me like that; there are few, the visionary and lead but also in the center of the human being as the following three verses, entitled:

A WINTER EVENING.

When the snow falls to the window.

heralds the long curfew,

Many of the table is prepared

And the house is well-ordered.

Some people on the tramp

Come to the door on dark paths.

Golden blooms the tree of grace

cool from the earth juice.

hiker steps into silence;

petrified the pain threshold.

Since shines in pure Bright

On the table bread and wine.

This picture Saskia 10th in the Painted on the occasion of our class poem and interpretation available to me made. ! Thanks

On 3 November 1914 Georg Trakl succumb - for me one of the most important poets German; he lived from 1887-1914 - in the evening at nine clock an overdose of cocaine. Never one to be able to clarify whether it was an intended suicide. At this time he stayed in the Cracow garrison hospital, where he had been instructed to monitor his mental condition. Background was that it mates with Effort could prevent them from committing suicide when he was directed to a gun.

Never had Georg Trakl the consequences of the Battle of Grodek overcome, as he put on his own, to care for 90 severely wounded, had the most after this battle 24th August 1914 had been admitted into that barn, in which he did as a trained pharmacist service. No doctor was present, there was hardly any dressing material, Trakl was exposed to the screaming, the death cries of the severely injured.

We know from his Biography: Just as these people shouted his soul for many years himself

Georg Trakl has left us a work of intimate and different lines, which he created in the 27 years of his life. Basically, he is in a great many of the brilliant poet and injured German such as Jakob Michael Reinhold Lenz, Friedrich Hölderlin, Friedrich Nietzsche, and others who were so anxious often put to unspeakable into words.

more to this poem: here

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The never-ending design

Often I experience project situations where very exporting concepts (technical concept and business concept) are available. In almost endless Work were specified page after page. This certainly has its advantages: the customer feels safe and knows what he gets in the end. Also can be estimated relatively accurately on the basis of the present specification, what the costs and risks for implementation are.

But so detailed are the concepts also appear somewhere during the implementation always will be questions and there are some very pragmatic advice on how the project can deal with such situations:

first Read concept (business and technical concept)
I have often had discussions with developers about concepts that really were not necessary if one views would cast a glance into the business approach. This does not mean that the developer has to read at the beginning of the project over 1000 pages concept. But he do if he receives a work package, at least read this part of the concept that are relevant to the AP. This includes the business concept. Often this is forgotten during development.

second The conversation looking
Whether a developer or project manager: When questions arise in a concept, one should immediately resolve this in an interview. Easy to make assumptions is also faster, yes, but not necessarily purposeful, especially if the assumption was wrong. Ideally speaking First, the developer with the project. This can at best help already. If this is not the case, should the project manager to demand an appropriate meeting.
Open questions should be discussed with appropriate preparation by project management / development and a concept proposal with the customer and then in a log, or weekly report be noted. This can be traced at a later date.

third complementary approach with missing elements.
If indeed missing parts specifications, these should be added. Usually there until the end of a project and probably beyond repeatedly elements that should be added in one concept. A concept lives during a project and should not be sacrosanct. Based on the discussion with the customer, a concept also be amended from time, especially when it recommended from a technical point of view. The situation of the project but must assess the situation and act accordingly.

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"Realistic Romance": Erich Kastner's error in terms of love and the true meaning of the sacrament of marriage.



I appreciate Erich Kaestner very much, especially his children's books as The twin girls and Emil and the Detectives - what I've got the films loved as much as I was with Emil as a detective ...
And of course I love his subtle humor and his way of closing punch lines to put in his poems is finally in the German poetry almost unique.
is so often so that it describes external causes, but in a way that lightens them so that they show in this light, a typical reality, I am thinking of the monologue in the bathtub, here is an excerpt:


As it is now as bare as one can only
has soap in his eyes, which bothers
notes and just a hair: it is a man who
With all that goes with it.


It seems the girls are right, if they
- before she tackled the habit -
believe the male sex
was barely tolerable in the shirt. And even naked!

. . .

Since it is without a wallet and shirt
and has his whole body no pockets.
without Catsuit man is a stranger ...
because you dream now, rather than to wash his neck.


The naked man has no class issue.
One could, if you have ink, write:
"I announce to my old days
I want to stay in my bathtub.."

. . .
In this way, delicious class meeting, when passing thoughts are written, and others.
But back to Awfully Big Adventure , it begins so:


When they knew each other eight years
(And you can say you knew a thing),
came suddenly lost her love.
Like someone else stick or hat.


and the second verse is:


you were sad were, with cheerful,
Tried kisses, so if anything, was
saw And as such, and did not know further.
As she cried at last. And he stood by.


Erich Kaestner speaks of love. But one thing is certain: it was never real love.
That which brings together two people is often a common structure that they - unconsciously them - have carried out to overcome together, or a common past in previous lives, they continue, and possibly to a good end do.
But not love. Hormonal outbursts are not love, even if they do hold some consider it or, perhaps they can be described as approximate.
why it is that the two are so foreign to the end of a liaison internally and shake his head and probably say: How could I have ...
no accident that the Bible speaks of it, that what God joins together, man should not divorce.
But such meetings lasting possibly for years as in Kastner Awfully Big Adventure God has not joined. What God joins together, that's what I call, which is first marriage , it is the real marriage, that which we call soul partnership.
course can no two people are soul mates in love lead and yet a marriage. There are no marriages in heaven, it says in the Bible. Where there is love, is marriage between a man and woman. So it is in Song of Solomon . Both Solomon and Shulamith are there "only" a couple. Nevertheless, their love is at the heart of the Bible.
also from there - so I would like to express - a real marriage is always being together in love and vice versa, being together in love is a marriage. Zoff and discussion included. Finally, we live on Earth.
What is the church as a sacrament is in fact an internal asset. An inner sanctuary, just a sacrament.
being said, of a marriage in this love, the two poems in Kastner's far away. Well, if the day comes, may come to light. Then loses a marriage like a stick or hat. And if she loses, that is, if not processed or dirty laundry is washed, it's good. Never find two together for no reason.
As long as there are no children, is not such a tragic end for me, in some ways it makes sense, makes sense. Such a relationship can bring both partners to their inner truth a little closer. Because everyone wants to know, what love is.
reason is the fact that the Catholic Church sanctioned a divorce in some way, non-sense. Just a divorce between two people that God has really brought together: That would be a violation of the sacrament of marriage. But this, so I hope and believe, is not so common, because that would be really tragic.


the sake of completeness, the final two stanzas Kästner:


From the window you could wave ships.
He said it was already quarter past four drink
And time, somewhere coffee.
Next door a man practicing the piano.


you gingn the smallest café in the city
And touched in their cups.
the evening they were sitting there still.
you sat alone and they did not speak
And it simply could not grasp.

About Erich Kaestner as women understand: here

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negotiate properly

I recently read a very nice post with tips for negotiating . This topic I would like to include in this post and write about my experiences.

A project manager is an almost daily basis of any negotiation over:
- Negotiations on the budget
- Negotiations on the project scope and change requests
- Contractual negotiations
-

etc. Here are a few tips on what the project should be observed for negotiations: first

Win-win situation to achieve:
The project manager should try, at a hearing always erziehlen to a win-win situation. This means that his proposed solution should be profitable and fair for both parties. The only way he can ensure that the project remains on track and, if the PL is then sometimes lucky if he gets a fair deal across from his.

second Clean preparation: Set
negotiating objective to collect arguments, so that the project may represent his views clear, is a prerequisite for a successful negotiation. This also means that the project already provides a constructive solution proposal and this presents, and his goal should then be that the proposed solution is accepted. This requires information such as potential risks, advantages and disadvantages, if any cost or time implications. All this must be the project manager to hold before the hearing.

third Factual reasoning: A hearing was
( few exceptions to) not are conducted on the emotional level. Factual arguments on the basis of preparation is more effective than any accusations or Schudlzuweisungen. Moreover, objective and honest arguments are particularly convincing for the non-involved persons (eg stakeholders) and are much more professional as an unnecessary emotions). A negotiation is not a feedback session, but a means to find a suitable solution to a problem.

4th have the good old wild card up its sleeve:
negotiation also means lead to compromise. During the preparation of the Project Leader should set its compromises already, and use this Joker, if it considers that during requires the trial. This prevents unnecessary surprises during the trial which might take a different outcome than expected. And for the project it is always a very confortable situation if he has a wild symbol, which also brings with it a certain serenity.

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Advent is the time of the maternal - Advent is Mary time.

During pregnancy, the man steps into the background, family, acquaintances, relatives looking at the belly of the mother is getting fatter. And everybody does everything to the pregnant woman to take a walk to clear things out of the way and help ensure that they not only with their precious load - support all want ...
Advent is especially the case Marie-time. People who are knowledgeable of the Bible, share their surprise at the angels words to share their joy.
That she just pregnant still have to travel to the census ... hopefully everything goes well.
Yes, it will go well.
Well, that Joseph is so strong and prudent, she cherishes and mitträgt.
He is in the background entered, but he is Maria's background; on it bases its security.


colors this time of the maternal to all people over. People go gentle to one another, tender, sensitive.
freezes Who has our sympathy, who has no food, we like to give ...
If only it always this way.
nice that it is at Christmas time to come.
This year it is particularly intense.
It's the time of the maternal. And it is high time that the maternal again revered, honored, will come into his rights.
It is also expressing the importance of the feminine.
was too long, God is a man he is now a woman in the minds of men.
And some know: he's both in one.
This man can remain human, there are male and female.
If people perceive their humanity happens, the thing that makes Christmas and humanity so valuable.
A child is born.

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what extent the customer is king?

In a service provider - client relationship, the project is moving mostly on a narrow ridge, he constantly has to weigh whether a certain action will satisfy the customer, or the project, respectively. The project team hurts.

On the one hand is the project to be implemented on time and within budget and on the other side is the customer who wants to be happy. But there is another dimension that must be observed as well: the project team. An example: For a Change Request

in the last minute as the launch date on the game. The customer wants but still, that must be strictly implemented even if necessary to halt over the coming weekend. The customer has implemented a major project and is one of the most important customers.
now has the project team but have worked through the last weekend to the system on schedule to be completed. The project was completed on time and now comes a change request that would have been much earlier can be made.
What to do? Be credited to the customer or for the benefit of the project team ? Decide

Such decisions are difficult. In any case the project is to look at this situation with both parties to the conversation. In such cases, I think it's not unfriendly, if the project outlining the situation to the customer and tells him that there have been extraordinary operations and that the project team actually deserves a "break". The hearing is deliberately moved a little on the emotional level, to show the customer that people working on the project, not a machine. The project shows including the team that he works for the interests of the project team.
is parallel, the project certainly looking to talk to the team and also to express the situation. Finally
but the customer has the last word, he is and will remain king. But I often had the feeling that was enhanced by such conversations with the customer appreciation, which really is ultimately positive. And many times even so decide in favor of the project team.